Drama 1h 48m

Irén gyvena mažame bute su uošviais. Kai jos vyras Laci grįžta iš karinės tarnybos, tėvas įtikina jį, kad Irén buvo neištikima. Irena jaučiasi apleista priešiškos šeimos apsuptyje.

Skaityti

 

Béla Tarr has described the film as a reaction against the political situation and the conventions of Hungarian cinema: "There were a lot of shit things in the cinema, a lot of lies. We weren't knocking at the door, we just beat it down. We were coming with some fresh, new, true, real things. We just wanted to show the reality - anti-movies."

A couple in a failing marriage recall what led up to their biggest dispute.

In a grim, claustrophobic apartment owned by a rich elderly woman, the inhabitants desperately try to relate to each other as they go about their bleak lives revealing their darkest secrets, fears, obsessions and hostilities. They include besides her, her son, her nurse, her nurse's discontented lover, and a new lodger.

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away…

In a desolate Hungarian village, after the collapse of a collective farm, two people, Futaki and Mrs. Schmidt (Éva Almássy Albert), are in a romantic embrace when Futaki is awakened at dawn by the ringing of church bells. Mr. Schmidt (László Lugossy) conspires with another co-worker named Kráner to steal the villagers' money and flee to another part of the country. As Futaki is sneaking out of the Schmidt home, he overhears Schmidt's plans, after which he demands to become part of the scheme – all this being watched by a lonely drunken man known as the Doctor (Peter Berling), who writes the events down in a notebook